Finally, we're getting somewhere. I'm happy I attempted this shot, since it's the most iconic of the piece. This definitely clarifies foggy parts of the piece for me.
Tuesday, October 23, 2007
Composition
Finally, we're getting somewhere. I'm happy I attempted this shot, since it's the most iconic of the piece. This definitely clarifies foggy parts of the piece for me.
The Return
Salome Comes down into the Well
Great Reference - "300" End Titles
Great Reference - Ghost in The Shell
Salome lifts the gate and looks down into the well
Great Reference - Ivan the Terrible Pt. 1
Herod Eyes Salome as she weeps on the terrace.Interesting Salome Videos:
http://www.youtube.com/watch?v=5BpmUPszqJU
http://www.youtube.com/watch?v=7RaDT5vbKXc
I've been away from the blog for a few weeks while I was casting actors for the film. Also, I have been enlightened by a layout workshop given by Will Weston here at USC. Ever since, I have been focusing on the composition of the film. This has been unbelievably essential to my progress as a filmmaker and I can't believe it has taken so many years to final learn the concepts of layout and composition. Above, there are some samples for Salome using abstract shapes.
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